1000 Stations
Adham Fisher interviewed. Adham has tried to enter the Guinness Book of Records by visiting every station on the London Underground in record time i.e. something less than the present record of approximately 16 hours. He's also toured the underground rail networks of Chicago, New York and Paris and along with several collaborators produced an EP based on these journeys called 1000 stations.

 Red Krayola and Art and Language.
Should have been one episode but there's too much material to pack in to 30 minutes so it will be continued... The Red Krayola and their collaboration with conceptual Art collective; Art and Language. Tracks today from Red Crayola's first LP (they became Krayola after being threatened with legal action if they retained Crayola); The Parable of Arable Land, with The Familiar Ugly 1967: Free form Freak Out 5 followed by the title track Parable of the Arable Land and then Hurricane Fighter Plane (stereo edition). Then, Listen to This and The Shirt from their second album issued in 1968: God Bless The Red Krayola And All Who Sail With It. Finally a couple of tracks from Corrected Slogans with Art and Language 1976.

 "Wynnonia"
Today's programme plunders the distinguished career of John Wynne, presenter of Up Country, and sound artist, otherwise known as Mr Speaker after his 300 speaker installation at the Saatchi Gallery, the recording of which is ruthlessly superimposed over the original soundtrack from The Big Country; John's theme tune, cassette stuff from Material/Immaterial (1989), taking in Canadian Inuit music recorded in a Quebec hospital as well as other "Wynnonia" including early Stanley Brothers and Captain Richard Jonas.

 Christmas Part Three
Bob Parks and the Recreationals live in the studio performing a festive rendition of We Free Kings in the style of Roland Kirk (who I saw once at Ronnie Scott's when he performed Blacknuss and had an acrimonious altercation with a white member of the audience about Black Power and the lyrics of Blacknuss causing aforementioned white person to walk out muttering about how it wasn't jazz as he knew it...) followed by a diatribe by Bob and ending with a loud (and quiet) version of Silent Night.